Divadlo na půdě, Praha (Czechia)
Sauna Nuuk, Hradec Králové (Czechia)
ACUD, Berlin (Germany)
The musical fabric comes from the closest surroundings. The music oscillates between amplification and electronic processing of the sound environment, all in real time.
Supported by Adam Mickiewicz Institute (culture.pl).
Bolęcin (North Mazowsze, Poland) -> Divadlo na půdě, Praha (Czech Republic), 2017
Sound / text performance
Live streaming of a country soundscape into a theatre in Prague.
[Haiku on Loneliness]
Žižkovská Noc, Praha (Czech Republic), 2017
Sound / text installation
Ten haiku, each one with its dedicated sub-bass sound tag.
[Manieczki. The Polish Success Story]
Krytyka Polityczna, August 2017.
Neeruti (Estonia), 2015
Sound installation / architecture.
[Heavy Industry is Me]
Nowa Ruda (Poland)/Dortmund (Germany), 2014
Public performance, sound library, ethnographic interview.
Exhibition at Wozownia, Toruń (Poland), 2015
2-channel sound projection, additional sound on headphones, text.
[Choir of Industrial Noises]
Nowa Ruda/Wrocław (Poland), 2015
The Choir of Industrial Noises was formed to recreate the sounds of a coal mine. At first we took beatboxing lessons. Then we worked with an elderly miner who helped us build coal mine ambiences of considerable fidelity. Later we developed methods of vocal improvisation and pieces of music based on the sounds of heavy industry.
The work was presented in a concert at Galeria na Czystej and as the soundtrack for a dance theatre performance Węglowa Odyseja/The Coal Odyssey in June 2015.
Supported by the Culture Centre in Nowa Ruda and the European Capital of Culture 2016 in Wrocław.
[Concert for Housing Estate Yells]
Warszawa (Poland), 2013, 2014
Renditions of common yells as remembered from the pre-mobile phone era. Recorded by local residents on the spot in a makeshift studio.
Quadrophonic projections, high-rise concrete housing blocks’ natural reverberation and echo.