[The Buzz of Silence]
Bartosz Nowicki’s thoughts on my Warsaw University recording
(https://audioboom.com/posts/7540736-warsaw-monday-sounds-like-sunday)
featured in his essay on cities silenced by the coronavirus lockdown.
Polityka, No. 21 (3262), 20 May 2020.
https://www.polityka.pl/tygodnikpolityka/kultura/1956578,1,wsluchani-w-cisze-miast.read
[Winter Sound Walk]
Warszawa (Poland), 2019
Listening and recording workshop.
Organised by Stowarzyszenie Pedagogów Teatru with Sebastian Świąder.
Photos by Aga Wiśniewska.
Trzecia Fala, Białobrzegi (Poland), 2015
Concert / performance art
In an agonic effort, fragments of past Trzecia Fala shows arrange themselves in a tonal order.
Performance Crossings, Praha (Czechia), 2019
Podcast.
Žižkovská Noc, Praha (Czechia), 2019
Sound performance
Collective, organised exploration of the tunnel’s unique acoustic features.
Saamleng, 2018
CD/DL release.
Field recording.
Timestamp: 28.05.2017, 2:00-6:00 AM
Distance from Klub Ekwador: 50-800 m
https://saamleng.bandcamp.com/album/manieczki-soundscapes
Divadlo na půdě, Praha (Czechia)
Sauna Nuuk, Hradec Králové (Czechia)
ACUD, Berlin (Germany)
2018
Sound performance/installation.
The musical fabric comes from the closest surroundings. The music oscillates between amplification and electronic processing of the sound environment, all in real time.
Supported by Adam Mickiewicz Institute (culture.pl).
[Ear in Water]
Wyspa Sobieszewska, Gdańsk (Poland), 2015 and 2018
Listening and recording workshops.
Organised by Sztuka cię szuka with Krzysztof Topolski (Arszyn).
Bolęcin (North Mazowsze, Poland) -> Divadlo na půdě, Praha (Czech Republic), 2017
Sound / text performance
Live streaming of a country soundscape into a theatre in Prague.
[Haiku on Loneliness]
Žižkovská Noc, Praha (Czech Republic), 2017
Sound / text installation
Ten haiku, each one with its dedicated sub-bass sound tag.
